William Klein: Yes.
EXB Workshop.| N° d'inventaire | 26162 |
| Format | 27 x 35 |
| Détails | 384 p., numerous illustrations, publisher's hardcover. |
| Publication | Paris, 2023 |
| Etat | Nine |
| ISBN | 9782365113410 |
An unprecedented collection, William Klein – Yes brings together the artist's entire oeuvre across nearly 400 pages, from his early abstract series to his films and painted contacts, including iconic series of New York, Rome, Tokyo, Paris, Moscow, and his fashion photographs. Like his previous publications, this book, with its highly graphic layout, was designed with the help of William Klein, who oversaw the editing and layout from start to finish alongside Pierre-Louis Denis and Tiffanie Pascal, who run his studio.
This final monographic work bears witness to a prolific and protean oeuvre, combining photographs, films, and paintings, many of which have never been published before. It also reveals the extent to which William Klein's work has influenced several generations of artists and continues to be widely used today. Accompanying these images is a long essay by David Campany, director of the International Center of Photography in New York, which offers a reinterpretation of the artist's entire body of work since his early days.
An unprecedented collection, William Klein – Yes brings together the artist's entire oeuvre across nearly 400 pages, from his early abstract series to his films and painted contacts, including iconic series of New York, Rome, Tokyo, Paris, Moscow, and his fashion photographs. Like his previous publications, this book, with its highly graphic layout, was designed with the help of William Klein, who oversaw the editing and layout from start to finish alongside Pierre-Louis Denis and Tiffanie Pascal, who run his studio.
This final monographic work bears witness to a prolific and protean oeuvre, combining photographs, films, and paintings, many of which have never been published before. It also reveals the extent to which William Klein's work has influenced several generations of artists and continues to be widely used today. Accompanying these images is a long essay by David Campany, director of the International Center of Photography in New York, which offers a reinterpretation of the artist's entire body of work since his early days.