A lion behind the glass.
Light Motiv.| N° d'inventaire | 23841 |
| Format | 18 x 24 |
| Détails | 140 p., publisher's hardcover. |
| Publication | The Madeleine, 2014 |
| Etat | Nine |
| ISBN | 9782953790887 |
From Venice to Istanbul, then Jerusalem, Alexandria, Sarajevo and back to Cordoba, Eric Le Brun's texts emerge and circulate between his own photographs. In the book's cover, the ancient songs and poems of Anouar Benmalek, chosen and interpreted by Emmanuelle Bunel, join and clarify the overall framework: in the vast land of the sea, in the Mediterranean, cities survive the men who create or mistreat them, like arrows launched into the passage of time.
The preface is written by Anouar Benmalek, an Algerian writer often described as the Mediterranean Faulkner by the French press. Emmanuelle Bunel, singer and director of the La Morena company, revisits "the white sea" using photographs and ancient songs from around the Mediterranean.
From Venice to Istanbul, then Jerusalem, Alexandria, Sarajevo and back to Cordoba, Eric Le Brun's texts emerge and circulate between his own photographs. In the book's cover, the ancient songs and poems of Anouar Benmalek, chosen and interpreted by Emmanuelle Bunel, join and clarify the overall framework: in the vast land of the sea, in the Mediterranean, cities survive the men who create or mistreat them, like arrows launched into the passage of time.
The preface is written by Anouar Benmalek, an Algerian writer often described as the Mediterranean Faulkner by the French press. Emmanuelle Bunel, singer and director of the La Morena company, revisits "the white sea" using photographs and ancient songs from around the Mediterranean.