Sonia Delaunay: Simultaneous Workshop, 1923-1934.
MALOCHET Annette.

Sonia Delaunay: Simultaneous Workshop, 1923-1934.

Skira
Regular price €40,00 €0,00 Unit price per
N° d'inventaire 31072
Format 16.5 x 24
Détails 234 p., numerous color illustrations, paperback.
Publication Paris, 2006
Etat Nine
ISBN 9788876247613

Sonia Delaunay's love of color, color as life, color decomposed and assembled by light, has generated an infinite series of variants and combinations of extreme variety, devoid of any repetition.

Sonia Delaunay's collection of works attests to the spirit of free abstraction, while also reflecting thoughtful research into the motif, studied in all its variations of color, rhythm, vibration, and form. The decorative abstraction to which Sonia Delaunay devoted herself rubs shoulders with fashion design, but above all, it attests to the artist's inventiveness.

The analysis of the relationship between art and fashion generates a dual function of the creative act, of Sonia's gesture, both theoretical and practical, creative but intended for application. Under the attentive critical observation of Robert Delaunay, Sonia's work on the variety of form-color frames fits ideally into the abstract research of Fauvist inspiration.

Sonia's utopia, which responds to the ideal of Arts & Crafts , is combined with the pleasure of improving the quality of daily life, and is underpinned by a modern vision of social thought.

Sonia Delaunay's love of color, color as life, color decomposed and assembled by light, has generated an infinite series of variants and combinations of extreme variety, devoid of any repetition.

Sonia Delaunay's collection of works attests to the spirit of free abstraction, while also reflecting thoughtful research into the motif, studied in all its variations of color, rhythm, vibration, and form. The decorative abstraction to which Sonia Delaunay devoted herself rubs shoulders with fashion design, but above all, it attests to the artist's inventiveness.

The analysis of the relationship between art and fashion generates a dual function of the creative act, of Sonia's gesture, both theoretical and practical, creative but intended for application. Under the attentive critical observation of Robert Delaunay, Sonia's work on the variety of form-color frames fits ideally into the abstract research of Fauvist inspiration.

Sonia's utopia, which responds to the ideal of Arts & Crafts , is combined with the pleasure of improving the quality of daily life, and is underpinned by a modern vision of social thought.