Renaissance. Revolutions in the Arts in Europe, 1400-1530.
Somogy| N° d'inventaire | 16649 |
| Format | 29 x 39 |
| Détails | 352 p., 300 illustrations, paperback with flaps. |
| Publication | Paris, 2012 |
| Etat | Nine |
| ISBN | 9782757205778 |
Laura Angelucci (LA) is a scientific documentalist in the Department of Graphic Arts, Musée du Louvre. Françoise Barbe (FB) is a curator in the Department of Decorative Arts, Musée du Louvre. Marc Bormand (MB) is Chief Curator in the Department of Sculptures, Musée du Louvre. Agnès Bos (AB) is a curator in the Department of Decorative Arts, Musée du Louvre. SUMMARY: AN ARTISTIC MUTATION, ARTISTIC MUTATIONS THE INTELLECTUAL MUTATION OF THE RENAISSANCE ARTISTS' EUROPE THE CONSCIOUSNESS OF BEING AN ARTIST: THE SELF-PORTRAIT FROM THE 14TH TO THE 16TH CENTURY NEW PERSPECTIVES ON THE BODY THE REALITY OF THE FACE: THE PORTRAIT A REPRESENTATION OF SPACE FIT FOR THE WORLD REDISCOVERING, COLLECTING, STUDYING ANTIQUITY, INTELLIGENCE WITH IT, RECREATING IT ANCIENT STORIES ORNAMENT NEW TECHNIQUES AN ART OF LIVING: LIVING, FURNISHING, DECORATING FRANCIS I, PRINCE COLLECTOR
Laura Angelucci (LA) is a scientific documentalist in the Department of Graphic Arts, Musée du Louvre. Françoise Barbe (FB) is a curator in the Department of Decorative Arts, Musée du Louvre. Marc Bormand (MB) is Chief Curator in the Department of Sculptures, Musée du Louvre. Agnès Bos (AB) is a curator in the Department of Decorative Arts, Musée du Louvre. SUMMARY: AN ARTISTIC MUTATION, ARTISTIC MUTATIONS THE INTELLECTUAL MUTATION OF THE RENAISSANCE ARTISTS' EUROPE THE CONSCIOUSNESS OF BEING AN ARTIST: THE SELF-PORTRAIT FROM THE 14TH TO THE 16TH CENTURY NEW PERSPECTIVES ON THE BODY THE REALITY OF THE FACE: THE PORTRAIT A REPRESENTATION OF SPACE FIT FOR THE WORLD REDISCOVERING, COLLECTING, STUDYING ANTIQUITY, INTELLIGENCE WITH IT, RECREATING IT ANCIENT STORIES ORNAMENT NEW TECHNIQUES AN ART OF LIVING: LIVING, FURNISHING, DECORATING FRANCIS I, PRINCE COLLECTOR