Raphael in Chantilly. The master and his students.
Faton| N° d'inventaire | 22829 |
| Format | 21 x 21 |
| Détails | 96 p., 60 ill., bound. |
| Publication | Paris, 2020 |
| Etat | Nine |
| ISBN | 9782878442731 |
Five hundred years after Raphael's death, the Musée Condé in Chantilly, the most important place in France for learning about the artist after the Louvre, pays tribute to him by re-examining its collection of drawings and paintings, rich in autograph works or works by the master's students, accompanied by some prestigious loans. This is an opportunity to look back at Raphael's brief but flourishing career, through the major stages of his training and the evolution of his style. Starting with his first commissions, executed under the influence of Perugino, this catalog will focus on the harmonious religious compositions of his Florentine period and the masterpieces linked to the great Roman decorations that marked his triumph, to end with the rich production of his disciples, Giulio Romano, author of the decorations of the Palazzo Te in Mantua, Polidoro da Caravaggio and Perino del Vaga, specialist in grotesques.
Five hundred years after Raphael's death, the Musée Condé in Chantilly, the most important place in France for learning about the artist after the Louvre, pays tribute to him by re-examining its collection of drawings and paintings, rich in autograph works or works by the master's students, accompanied by some prestigious loans. This is an opportunity to look back at Raphael's brief but flourishing career, through the major stages of his training and the evolution of his style. Starting with his first commissions, executed under the influence of Perugino, this catalog will focus on the harmonious religious compositions of his Florentine period and the masterpieces linked to the great Roman decorations that marked his triumph, to end with the rich production of his disciples, Giulio Romano, author of the decorations of the Palazzo Te in Mantua, Polidoro da Caravaggio and Perino del Vaga, specialist in grotesques.