Paintings and stuccos from the Roman period. Toichographological studies.
| N° d'inventaire | 21580 |
| Format | 21 x 27 |
| Détails | 405 p., numerous illustrations, paperback. |
| Publication | Bordeaux, 2018 |
| Etat | Nine |
| ISBN | |
Proceedings of the 29th AFPMA Conference, Louvres, November 18 and 19, 2016. This seventh volume of Pictor, proceedings of the AFPMA annual conference, held in Louvres in the Val-d'Oise, at the Archéa Museum, in November 2016, once again takes the reader into our shared archaeological heritage, to excavation sites, museum reserves, archives, through ancient construction and architecture from the perspective of decoration, painting, and stucco, whether modest or sumptuous. It also takes us from the Pays de France to Germany, Spain, Italy, Portugal, Switzerland, and to the distant lands of ancient Syria. Twenty-nine presentations provide a richly illustrated panorama of ancient finds as well as the most recent discoveries: Entrains-sur-Nohain, Metz, Béziers, Beauvais, Chartres or Grenoble, Augst, Rome, Ostia, Pompeii and Herculaneum, the Ebro Valley, Europos-Doura… Iconography – through the phoenix and the characters populating the Pompeian landscapes – rubs shoulders with pictorial techniques and the implementation of decorative compositions, attesting to the evolution of fashions and mentalities in the cities as well as in the countryside, during the Roman period. The diversification of investigation methods is evident and innovative technologies are developed in particular for the analysis of pigments and materials of wall painting, the understanding, the 3D restitution of decorations and the valorization of these remains, the safeguarding of data... as close as possible to scientific reality.
Proceedings of the 29th AFPMA Conference, Louvres, November 18 and 19, 2016. This seventh volume of Pictor, proceedings of the AFPMA annual conference, held in Louvres in the Val-d'Oise, at the Archéa Museum, in November 2016, once again takes the reader into our shared archaeological heritage, to excavation sites, museum reserves, archives, through ancient construction and architecture from the perspective of decoration, painting, and stucco, whether modest or sumptuous. It also takes us from the Pays de France to Germany, Spain, Italy, Portugal, Switzerland, and to the distant lands of ancient Syria. Twenty-nine presentations provide a richly illustrated panorama of ancient finds as well as the most recent discoveries: Entrains-sur-Nohain, Metz, Béziers, Beauvais, Chartres or Grenoble, Augst, Rome, Ostia, Pompeii and Herculaneum, the Ebro Valley, Europos-Doura… Iconography – through the phoenix and the characters populating the Pompeian landscapes – rubs shoulders with pictorial techniques and the implementation of decorative compositions, attesting to the evolution of fashions and mentalities in the cities as well as in the countryside, during the Roman period. The diversification of investigation methods is evident and innovative technologies are developed in particular for the analysis of pigments and materials of wall painting, the understanding, the 3D restitution of decorations and the valorization of these remains, the safeguarding of data... as close as possible to scientific reality.