Books & Archaeology
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Books & Archaeology
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Nan Goldin. Fata Morgana.
Catalogue of the exhibition at the Château d'Hardelot in Condette from June 2 to November 11, 2018.

Nan Goldin. Fata Morgana.

Invent
€19,00 €0,00
N° d'inventaire 25237
Format 24 x 18
Détails 80 p., publisher's cloth binding.
Publication Lille, 2018
Etat Nine
ISBN 9782376800224
A major artist of our time, internationally recognized for her pioneering character in the development of intimate photography, always close to the family album, Nan Goldin (1953), presents in this book unpublished photographs gathered under the theme of nature and landscape. A little-known aspect of her work, the thirty reproduced photographs, sensitive and meditative, open up a secret garden testifying to a personal story; an introspective journey enriched over time and through her many travels, this series constitutes an invitation to share a personal diary in which fascination for light, quest for freedom and desire for immortality draw the framework of a singular reading of the world and a journey into the contemporary imagination. Common archetypes, collective memory, stories in which he identifies and/or questions himself, Nan Goldin's photography always refers the viewer to his own questions.
A major artist of our time, internationally recognized for her pioneering character in the development of intimate photography, always close to the family album, Nan Goldin (1953), presents in this book unpublished photographs gathered under the theme of nature and landscape. A little-known aspect of her work, the thirty reproduced photographs, sensitive and meditative, open up a secret garden testifying to a personal story; an introspective journey enriched over time and through her many travels, this series constitutes an invitation to share a personal diary in which fascination for light, quest for freedom and desire for immortality draw the framework of a singular reading of the world and a journey into the contemporary imagination. Common archetypes, collective memory, stories in which he identifies and/or questions himself, Nan Goldin's photography always refers the viewer to his own questions.