MÜLLER-POHLE Andreas.
Seas and rivers.
Hazan
Regular price
€24,95
| N° d'inventaire | 25098 |
| Format | 27.2 x 24 |
| Détails | 144 p., paperback. |
| Publication | Paris, 2021 |
| Etat | Nine |
| ISBN | 9782754112079 |
Official catalogue of the exhibition Andreas Müller-Pohle. Seas and Rivers from October 27, 2021 to January 5, 2022, at the Pavillon Populaire de la photographie in Montpellier.
A central figure in the European photographic avant-garde, the German Andreas Müller-Pohle (1951-) is also the editor of the prestigious magazine European Photography , which he founded in 1980 and which he directs to this day. His artistic work, initially very experimental, has constantly focused on the role and conditions of creation and reception of photographic perception . From the mid-1990s, he has used and explored digital photography. His series on water and its vital ecological role, begun in 2005, offer a lyrical as well as critical vision of this major environmental issue. Andreas Müller-Pohle developed an original way of shooting: he photographs seas and rivers "from the inside", either by immersing himself underwater or by photographing at surface level. He thus shows banks, coasts, environment, their natural state or the alteration that our industrial societies subject them to, through liquid colors. The photographer mixes, even merges with the photographed environment and thus offers an original perspective full of poetry.
The exhibition and its catalogue present the three projects carried out by the artist, illustrating this photographic device, and the visions which result from them: "The Danube River Project" (2005-2006); "Hong Kong Waters" (2009-2010) and "Kaunas upon the River" (2017).
A central figure in the European photographic avant-garde, the German Andreas Müller-Pohle (1951-) is also the editor of the prestigious magazine European Photography , which he founded in 1980 and which he directs to this day. His artistic work, initially very experimental, has constantly focused on the role and conditions of creation and reception of photographic perception . From the mid-1990s, he has used and explored digital photography. His series on water and its vital ecological role, begun in 2005, offer a lyrical as well as critical vision of this major environmental issue. Andreas Müller-Pohle developed an original way of shooting: he photographs seas and rivers "from the inside", either by immersing himself underwater or by photographing at surface level. He thus shows banks, coasts, environment, their natural state or the alteration that our industrial societies subject them to, through liquid colors. The photographer mixes, even merges with the photographed environment and thus offers an original perspective full of poetry.
The exhibition and its catalogue present the three projects carried out by the artist, illustrating this photographic device, and the visions which result from them: "The Danube River Project" (2005-2006); "Hong Kong Waters" (2009-2010) and "Kaunas upon the River" (2017).
A central figure in the European photographic avant-garde, the German Andreas Müller-Pohle (1951-) is also the editor of the prestigious magazine European Photography , which he founded in 1980 and which he directs to this day. His artistic work, initially very experimental, has constantly focused on the role and conditions of creation and reception of photographic perception . From the mid-1990s, he has used and explored digital photography. His series on water and its vital ecological role, begun in 2005, offer a lyrical as well as critical vision of this major environmental issue. Andreas Müller-Pohle developed an original way of shooting: he photographs seas and rivers "from the inside", either by immersing himself underwater or by photographing at surface level. He thus shows banks, coasts, environment, their natural state or the alteration that our industrial societies subject them to, through liquid colors. The photographer mixes, even merges with the photographed environment and thus offers an original perspective full of poetry.
The exhibition and its catalogue present the three projects carried out by the artist, illustrating this photographic device, and the visions which result from them: "The Danube River Project" (2005-2006); "Hong Kong Waters" (2009-2010) and "Kaunas upon the River" (2017).