Medusa.
Fata Morgana| N° d'inventaire | 23601 |
| Format | 14 x 22 |
| Détails | 40 p., paperback. |
| Publication | Saint-Clement-de-Rivière, 2015 |
| Etat | Nine |
| ISBN | 9782851949448 |
The dead man's gaze passes and does not linger. It does not touch, it does not caress, it becomes an element of nature, a black pearl in the jungle, a friend of banana leaves and hummingbirds sparkling in the buzzing of their agitated wings. The gaze enjoys. It gives birth, it moistens. An encounter without witnesses in the heart of solitude. Marine horns, cromornes, sonorous and black serpents. Antoni Casas Ros excited the journalistic sphere for several years after his first successful novel: The Almodóvar Theorem. Was this writer, whom not even his publisher had met, really the young man with a damaged and disguised face hiding from the world he claimed to be, or an enigmatic figure invented for someone else? But what has too often escaped journalists is the inventiveness of his writing and the intrepidity of his imagination, which place this writer alongside Julio Cortázar and James Joyce.
The dead man's gaze passes and does not linger. It does not touch, it does not caress, it becomes an element of nature, a black pearl in the jungle, a friend of banana leaves and hummingbirds sparkling in the buzzing of their agitated wings. The gaze enjoys. It gives birth, it moistens. An encounter without witnesses in the heart of solitude. Marine horns, cromornes, sonorous and black serpents. Antoni Casas Ros excited the journalistic sphere for several years after his first successful novel: The Almodóvar Theorem. Was this writer, whom not even his publisher had met, really the young man with a damaged and disguised face hiding from the world he claimed to be, or an enigmatic figure invented for someone else? But what has too often escaped journalists is the inventiveness of his writing and the intrepidity of his imagination, which place this writer alongside Julio Cortázar and James Joyce.