
Martin Scorsese.
N° d'inventaire | 19709 |
Format | 20 x 25.5 |
Détails | 210 p., color and black and white illustrations, publisher's binding. |
Publication | Paris, 2015 |
Etat | Nine |
ISBN | |
Taxi Driver, Raging Bull, The Last Temptation of Christ, Goodfellas, The Age of Innocence, Casino, Gangs of New York, The Departed, Hugo Cabret, The Wolf of Wall Street... Since his debut in the 1960s, Martin Scorsese has continued to capture the imagination and make his mark on the history of cinema. His work is famous, his style immediately recognizable and constantly reinvented, his direction of actors the foundation of contemporary mythologies: Robert De Niro, Jodie Foster, Harvey Keitel, Sharon Stone, Joe Pesci, Michelle Pfeiffer, Daniel Day-Lewis, Leonardo DiCaprio... Scorsese is one of the most energetic representatives of the so-called "New Hollywood" generation, the moment when filmmakers took power. He is still the spectacular embodiment of a lively, committed, generous cinephilia, which continues to nourish his own films. Films that are each born from a feverish and exciting creative process that this book describes: storyboards, lighting, costumes, location shooting, editing... In short, it is the artist in his studio, and a studio more than once open-air, as it has often been confused with New York.
Taxi Driver, Raging Bull, The Last Temptation of Christ, Goodfellas, The Age of Innocence, Casino, Gangs of New York, The Departed, Hugo Cabret, The Wolf of Wall Street... Since his debut in the 1960s, Martin Scorsese has continued to capture the imagination and make his mark on the history of cinema. His work is famous, his style immediately recognizable and constantly reinvented, his direction of actors the foundation of contemporary mythologies: Robert De Niro, Jodie Foster, Harvey Keitel, Sharon Stone, Joe Pesci, Michelle Pfeiffer, Daniel Day-Lewis, Leonardo DiCaprio... Scorsese is one of the most energetic representatives of the so-called "New Hollywood" generation, the moment when filmmakers took power. He is still the spectacular embodiment of a lively, committed, generous cinephilia, which continues to nourish his own films. Films that are each born from a feverish and exciting creative process that this book describes: storyboards, lighting, costumes, location shooting, editing... In short, it is the artist in his studio, and a studio more than once open-air, as it has often been confused with New York.