
Both aesthetics.
CasimiroN° d'inventaire | 25601 |
Format | 12 x 17 |
Détails | 120 p., illustrated, paperback. |
Publication | Paris, 2022 |
Etat | Nine |
ISBN | 9788417930967 |
Faced with the "theory that produced Manet and Caillebotte" and which explains why "the Luxembourg Museum resembles an annual salon, and an annual salon resembles an immense boutique", the writer and art critic Joséphin Péladan (1858 - 1918) argues in this text that art should not represent reality but ideas: it must make the invisible visible.
His theories, as well as the Rosicrucian salons of which he was the founder, had a great influence on many literary figures of the time, such as Stéphane Mallarmé, Paul Verlaine and Joris-Karl Huysmans, as well as artists, such as Gustave Moreau, Pierre Puvis de Chavannes, Ferdinand Hodler and Paul Gauguin.
Positive aesthetics.
Idealist aesthetics.
Theory of beauty.
Faced with the "theory that produced Manet and Caillebotte" and which explains why "the Luxembourg Museum resembles an annual salon, and an annual salon resembles an immense boutique", the writer and art critic Joséphin Péladan (1858 - 1918) argues in this text that art should not represent reality but ideas: it must make the invisible visible.
His theories, as well as the Rosicrucian salons of which he was the founder, had a great influence on many literary figures of the time, such as Stéphane Mallarmé, Paul Verlaine and Joris-Karl Huysmans, as well as artists, such as Gustave Moreau, Pierre Puvis de Chavannes, Ferdinand Hodler and Paul Gauguin.
Positive aesthetics.
Idealist aesthetics.
Theory of beauty.