The Great Mademoiselle Marie-Lucie Cornillot: A life of museums in Besançon.
Exhibition catalog of the Besançon Museum.

The Great Mademoiselle Marie-Lucie Cornillot: A life of museums in Besançon.

Silvana Editoriale
Regular price €20,00 €0,00 Unit price per
N° d'inventaire 30063
Format 24 x 28
Détails 288 p., numerous photographs, paperback.
Publication Milan, 2023
Etat Nine
ISBN 9788836654093
Marie-Lucie Cornillot (1905-2003) was an energetic curator, committed to the heritage and cultural life of Besançon. The first female librarian in Besançon, in 1946 she rose to the status of "curator" by taking over the direction of the city's museum, becoming the second woman to be appointed to this rank in France. Affectionately known to her colleagues as "La Grande Mademoiselle," she directed the "listed museum" of Besançon, which included the current Museum of Fine Arts and Archaeology, the Granvelle Palace, and then the Saint-Paul Lapidary Museum, which no longer exists, until her retirement.
In the wake of research aimed at reassessing the place of women in society, the museums of Besançon are bringing this little-known figure back into the spotlight. Was Marie-Lucie Cornillot a feminist? Probably not in the militant sense of the term, as her social and cultural background trained her to a more discreet stance. But through her temperament, her choice of a life dedicated to a highly responsible profession that had previously been the preserve of men, this great lady was a key player in the move toward greater equality between the sexes and laid many of the foundations of what the museums of Besançon represent today.
Marie-Lucie Cornillot (1905-2003) was an energetic curator, committed to the heritage and cultural life of Besançon. The first female librarian in Besançon, in 1946 she rose to the status of "curator" by taking over the direction of the city's museum, becoming the second woman to be appointed to this rank in France. Affectionately known to her colleagues as "La Grande Mademoiselle," she directed the "listed museum" of Besançon, which included the current Museum of Fine Arts and Archaeology, the Granvelle Palace, and then the Saint-Paul Lapidary Museum, which no longer exists, until her retirement.
In the wake of research aimed at reassessing the place of women in society, the museums of Besançon are bringing this little-known figure back into the spotlight. Was Marie-Lucie Cornillot a feminist? Probably not in the militant sense of the term, as her social and cultural background trained her to a more discreet stance. But through her temperament, her choice of a life dedicated to a highly responsible profession that had previously been the preserve of men, this great lady was a key player in the move toward greater equality between the sexes and laid many of the foundations of what the museums of Besançon represent today.