Artistic ceramics in Île-de-France: Workshops and factories around Paris (1850-1950).
SLITINE Florence.

Artistic ceramics in Île-de-France: Workshops and factories around Paris (1850-1950).

Mare & Martin
Regular price €56,00 €0,00 Unit price per
N° d'inventaire 31549
Format 17 x 25
Détails 672 p., 250 fig., paperback.
Publication Paris, 2024
Etat Nine
ISBN 9782362220913

This book, the fruit of fifteen years of research, explains how the world
ceramics became closer to the world of art in Île-de-France during a century rich in technical innovations, economic transformations and new artistic influences.
The book first explores the question from the point of view of studio ceramists, illustrated with the examples of Ernest Chaplet, Adrien Dalpayrat, Émile Decoeur, Guidette Carbonell and many others.
It then shows how ceramic factories created, alongside their everyday production, pieces with an artistic vocation, drawing on the case of factories located in particular in Montereau, Choisy-le-Roi, L'Isle-Adam and Ivry-sur-Seine.
Through the study of their means of production, marketing and exhibition
and reception, but also the examination of
methods of training ceramists or the collaborations they established between them,
This book questions the degree of artificiality they have reached.
A directory of ceramists classified by city completes this new work.

This book, the fruit of fifteen years of research, explains how the world
ceramics became closer to the world of art in Île-de-France during a century rich in technical innovations, economic transformations and new artistic influences.
The book first explores the question from the point of view of studio ceramists, illustrated with the examples of Ernest Chaplet, Adrien Dalpayrat, Émile Decoeur, Guidette Carbonell and many others.
It then shows how ceramic factories created, alongside their everyday production, pieces with an artistic vocation, drawing on the case of factories located in particular in Montereau, Choisy-le-Roi, L'Isle-Adam and Ivry-sur-Seine.
Through the study of their means of production, marketing and exhibition
and reception, but also the examination of
methods of training ceramists or the collaborations they established between them,
This book questions the degree of artificiality they have reached.
A directory of ceramists classified by city completes this new work.