Giulietta Masina. Fellini's muse.
The Green Tower| N° d'inventaire | 23824 |
| Format | 13 x 20 |
| Détails | 160 p., paperback. |
| Publication | Paris, 2013 |
| Etat | Nine |
| ISBN | 9782917819180 |
Since Giulietta Masina was, as Zoé Valdés writes, "a woman-sonata", three authors compose for the interpreter of La Strada, Les Nuits de Cabiria and Juliette des Esprits a score in three movements; the Cuban novelist evokes her discovery of Giulietta and Fellini in a Havana cinema, and the influence of the actress on her literary work; then Dominique Delouche, assistant to the Maestro and filmmaker himself, speaks of the creative but painful relationship between the Fellini couple, and sees in Giulietta's acting technique a living legacy of the sculptors of Romanesque art; finally Jean-Max Méjean, film critic, paints an intimate portrait of Giulietta in the context of Italian cinema of the time, and offers us as a coda to this "sonata to Giulietta" an unpublished interview with the woman who remained until the end, against all odds, the muse and companion of the immense Federico Fellini.
Since Giulietta Masina was, as Zoé Valdés writes, "a woman-sonata", three authors compose for the interpreter of La Strada, Les Nuits de Cabiria and Juliette des Esprits a score in three movements; the Cuban novelist evokes her discovery of Giulietta and Fellini in a Havana cinema, and the influence of the actress on her literary work; then Dominique Delouche, assistant to the Maestro and filmmaker himself, speaks of the creative but painful relationship between the Fellini couple, and sees in Giulietta's acting technique a living legacy of the sculptors of Romanesque art; finally Jean-Max Méjean, film critic, paints an intimate portrait of Giulietta in the context of Italian cinema of the time, and offers us as a coda to this "sonata to Giulietta" an unpublished interview with the woman who remained until the end, against all odds, the muse and companion of the immense Federico Fellini.