La Galleria Borghese combines a straordinary collection of ancient and modern sculptures (Cordier, Algardi, Bernini, Houdon, Valadier and Canova) and paintings (Raffaello, Tiziano, Caravaggio) all inside a splendidly decorated villa. No, I hope to define one of the biggest in the world's museum. With this volume, dedicated to modern sculpture, taken with the realization of a new general catalog of collections, edited and scoped, unpublished archival data and analysis of pieces but schedati. The great iconographic apparatus with the high quality images of Luciano Romano is of great importance. I due to the introduction of Anna Coliva and Marina Minozzi tell the story of the villa and collection, after the creation of an opera by Scipione Borghese which began in the 19th century as a seller of the late Ottoman Empire, passing by the death of 1807, when Camillo Borghese was alienated. Napoleone alcune delle opere antiche di maggior pregio. The schedule, confirms both the studios and the knowledge of the field of sculpture and the history of the gallery (Maria Giulia Barberini, Anna Coliva, Francesco Leone and Marina Minozzi) as to the greatest importance of the sculpture of the Quattro all'Ottocento, its rich chronological precision, new attribution, notice It is restored and contains various historical elements thanks to a studio collection of inventory documentation of the villa. Proprio la necessità di integrare la collezione archeologica indusse i Borghese a la commissione di opera di pirazione antica, la cui analisi anima le pagine della section a cura di Simona Ciofetta e Maria Grazia Chilosi, basata sui concetti di copy, rifacimento e interpretazione “in style”. It is cataloged with a section of the restored curata of Giulia Salvo, which contains the diachronic sense of the fundamental stone of the sculpture in the maintenance and, talvolta, transformation of the archaeological collection in relation to all the characteristics of the villa.
Galleria Borghese Catalogo generale. I. Scultura moderna
Galleria Borghese| N° d'inventaire | 26516 |
| Format | 24.5 x 28.5 |
| Détails | 456 p., numerous color illustrations, publisher's hardcover with dust jacket. |
| Publication | Rome, 2022 |
| Etat | Nine |
| ISBN | 9788833671796 |
La Galleria Borghese combines a straordinary collection of ancient and modern sculptures (Cordier, Algardi, Bernini, Houdon, Valadier and Canova) and paintings (Raffaello, Tiziano, Caravaggio) all inside a splendidly decorated villa. No, I hope to define one of the biggest in the world's museum. With this volume, dedicated to modern sculpture, taken with the realization of a new general catalog of collections, edited and scoped, unpublished archival data and analysis of pieces but schedati. The great iconographic apparatus with the high quality images of Luciano Romano is of great importance. I due to the introduction of Anna Coliva and Marina Minozzi tell the story of the villa and collection, after the creation of an opera by Scipione Borghese which began in the 19th century as a seller of the late Ottoman Empire, passing by the death of 1807, when Camillo Borghese was alienated. Napoleone alcune delle opere antiche di maggior pregio. The schedule, confirms both the studios and the knowledge of the field of sculpture and the history of the gallery (Maria Giulia Barberini, Anna Coliva, Francesco Leone and Marina Minozzi) as to the greatest importance of the sculpture of the Quattro all'Ottocento, its rich chronological precision, new attribution, notice It is restored and contains various historical elements thanks to a studio collection of inventory documentation of the villa. Proprio la necessità di integrare la collezione archeologica indusse i Borghese a la commissione di opera di pirazione antica, la cui analisi anima le pagine della section a cura di Simona Ciofetta e Maria Grazia Chilosi, basata sui concetti di copy, rifacimento e interpretazione “in style”. It is cataloged with a section of the restored curata of Giulia Salvo, which contains the diachronic sense of the fundamental stone of the sculpture in the maintenance and, talvolta, transformation of the archaeological collection in relation to all the characteristics of the villa.