Japanese Women Photographers. From the 1950s to the Present.
Textual| N° d'inventaire | 31000 |
| Format | 21 X 28 |
| Détails | 440 p., bound. |
| Publication | Paris, 2024 |
| Etat | Nine |
| ISBN | 9782386290107 |
This collection highlights the work of Japanese women photographers from the 1950s to the present day. While recognition of the Japanese scene has primarily benefited male photographers since the 1970s, many women artists have played a pivotal role in the development of the medium, with undeniable virtuosity. Through more than 500 images, including a wide selection of photographs, book facsimiles, and an anthology of texts, this book reveals the immensity of what has been hidden and constitutes a critical and joyful enrichment of the history of Japanese photography.
With portfolios from: Hara Mikiko, Ishikawa Mao, Ishiuchi Miyako, Katayama Mari, Kawauchi Rinko, Komatsu Hiroko, Kon Michiko, Nagashima Yurie, Narahashi Asako, Ninagawa Mika, Nishimura Tamiko, Noguchi Rika, Nomura Sakiko, Okabe Momo, Okanoue Toshiko, Onodera Yuki, Sawada Tomoko, Shiga Lieko, Sugiura Kunié, Tawada Yuki, Tokiwa Toyoko, Ushioda Tokuko, Watanabe Hitomi, Yamazawa Eiko and Yanagi Miwa.
Artists featured in the illustrated bibliography: Anrakuji Emi, Fujioka Aya, Hiromix, Hosokura Mayumi, Ishikawa Mao, Kajioka Miho, Kiyomiya Yumiko, Matsumoto Michiko, Miyazaki Izumi, Nanjo Naoko, Nomura Sakiko, Nomura Keiko, Nihongi Satomi, Ōishi Yoshino, Orihara Kei, Otsuka Chino, Shishido Harumi, Shiomi Mieko, Soejima Miki, Suzuki Mayumi, Suzuki Moe, Takeda Hana, Tokyo Rumando, UmeKayo, Yoneda Tomoko, Yoshida Mutsuko, Yoshida Ruiko.
This collection highlights the work of Japanese women photographers from the 1950s to the present day. While recognition of the Japanese scene has primarily benefited male photographers since the 1970s, many women artists have played a pivotal role in the development of the medium, with undeniable virtuosity. Through more than 500 images, including a wide selection of photographs, book facsimiles, and an anthology of texts, this book reveals the immensity of what has been hidden and constitutes a critical and joyful enrichment of the history of Japanese photography.
With portfolios from: Hara Mikiko, Ishikawa Mao, Ishiuchi Miyako, Katayama Mari, Kawauchi Rinko, Komatsu Hiroko, Kon Michiko, Nagashima Yurie, Narahashi Asako, Ninagawa Mika, Nishimura Tamiko, Noguchi Rika, Nomura Sakiko, Okabe Momo, Okanoue Toshiko, Onodera Yuki, Sawada Tomoko, Shiga Lieko, Sugiura Kunié, Tawada Yuki, Tokiwa Toyoko, Ushioda Tokuko, Watanabe Hitomi, Yamazawa Eiko and Yanagi Miwa.
Artists featured in the illustrated bibliography: Anrakuji Emi, Fujioka Aya, Hiromix, Hosokura Mayumi, Ishikawa Mao, Kajioka Miho, Kiyomiya Yumiko, Matsumoto Michiko, Miyazaki Izumi, Nanjo Naoko, Nomura Sakiko, Nomura Keiko, Nihongi Satomi, Ōishi Yoshino, Orihara Kei, Otsuka Chino, Shishido Harumi, Shiomi Mieko, Soejima Miki, Suzuki Mayumi, Suzuki Moe, Takeda Hana, Tokyo Rumando, UmeKayo, Yoneda Tomoko, Yoshida Mutsuko, Yoshida Ruiko.