Eva Nielsen.
| N° d'inventaire | 21992 |
| Format | 19 x 24.5 |
| Détails | 192 p., paperback with dust jacket. |
| Publication | Paris, 2019 |
| Etat | Nine |
| ISBN | 9782490505067 |
The first monograph by painter Eva Nielsen is an important milestone in her career. This publication coincides with ten years of research and production. As a young painter, Eva Nielsen studied at Philippe Cognée's studio at the Beaux-Arts in Paris. Exploring territories is at the origin of her approach to painting. Whether places under reconstruction or artificial spaces, Eva Nielsen blurs our bearings by "creating disturbing images." A painter who constantly questions photography in her practice, Eva Nielsen incorporates screen printing into her paintings in order to gather and reconfigure fragments of reality. Disturbed, abandoned territories traversed by disasters or natural catastrophes, her paintings are constructed through multiple visions of the landscape: desert, dry, with concrete or urban areas. Oscillating between the everyday and the imaginary, Eva Nielsen's paintings proceed from a flattening of urban and architectural realities. The book will be launched during an exhibition at the Jousse Entreprises gallery next June. Supported by Adagp, the book will also be presented at Filaf in Perpignan in June. Eva Nielsen is also represented abroad by The Pill gallery (Istanbul).
The first monograph by painter Eva Nielsen is an important milestone in her career. This publication coincides with ten years of research and production. As a young painter, Eva Nielsen studied at Philippe Cognée's studio at the Beaux-Arts in Paris. Exploring territories is at the origin of her approach to painting. Whether places under reconstruction or artificial spaces, Eva Nielsen blurs our bearings by "creating disturbing images." A painter who constantly questions photography in her practice, Eva Nielsen incorporates screen printing into her paintings in order to gather and reconfigure fragments of reality. Disturbed, abandoned territories traversed by disasters or natural catastrophes, her paintings are constructed through multiple visions of the landscape: desert, dry, with concrete or urban areas. Oscillating between the everyday and the imaginary, Eva Nielsen's paintings proceed from a flattening of urban and architectural realities. The book will be launched during an exhibition at the Jousse Entreprises gallery next June. Supported by Adagp, the book will also be presented at Filaf in Perpignan in June. Eva Nielsen is also represented abroad by The Pill gallery (Istanbul).