COCTEAU Jean.
Writings on Art. Edited by David Gullentops. Arts and Artists Collection.
Gallimard
Regular price
€26,00
| N° d'inventaire | 25547 |
| Format | 16 x 22 |
| Détails | 398 p., illustrated, paperback. |
| Publication | Paris, 2022 |
| Etat | Nine |
| ISBN | 9782072954818 |
Writings on Art brings together the articles, prefaces, tributes, and monographic studies that Jean Cocteau devoted to the artists he knew and admired. These include the main representatives of the avant-garde, Gleizes, Picasso, Braque, Dalí, Delaunay, Modigliani, Dufy, Matisse, Lipchitz, Picabia, Man Ray, and De Chirico; while also including the women artists active during this period, such as Abbott, Krull, Madame d'Ora, Laurencin, Lagut, Fini, and Vautier.
The work contains praise for the masters of the past whom he took as models: El Greco, Le Douanier Rousseau, Watteau, Toulouse-Lautrec, Cappiello, Vermeer, Cézanne, Tiepolo, Rembrandt, da Vinci, Van Gogh, Morisot, Ingres, Delacroix; as well as testimonies of support for the young creators whom he considered as precursors in their field: Bérard, Harold, Bellmer, Clergue, Buffet, Mathieu, Moretti.
This volume shows how Cocteau connects different artistic disciplines: drawing, caricature, painting, interior design, theater design, fashion, photography, sculpture, ceramics, and tapestry. It also reveals his views on artistic creation in general, while providing a panorama that allows us to grasp the evolution of aesthetics in the first half of the 20th century .
The work contains praise for the masters of the past whom he took as models: El Greco, Le Douanier Rousseau, Watteau, Toulouse-Lautrec, Cappiello, Vermeer, Cézanne, Tiepolo, Rembrandt, da Vinci, Van Gogh, Morisot, Ingres, Delacroix; as well as testimonies of support for the young creators whom he considered as precursors in their field: Bérard, Harold, Bellmer, Clergue, Buffet, Mathieu, Moretti.
This volume shows how Cocteau connects different artistic disciplines: drawing, caricature, painting, interior design, theater design, fashion, photography, sculpture, ceramics, and tapestry. It also reveals his views on artistic creation in general, while providing a panorama that allows us to grasp the evolution of aesthetics in the first half of the 20th century .
The work contains praise for the masters of the past whom he took as models: El Greco, Le Douanier Rousseau, Watteau, Toulouse-Lautrec, Cappiello, Vermeer, Cézanne, Tiepolo, Rembrandt, da Vinci, Van Gogh, Morisot, Ingres, Delacroix; as well as testimonies of support for the young creators whom he considered as precursors in their field: Bérard, Harold, Bellmer, Clergue, Buffet, Mathieu, Moretti.
This volume shows how Cocteau connects different artistic disciplines: drawing, caricature, painting, interior design, theater design, fashion, photography, sculpture, ceramics, and tapestry. It also reveals his views on artistic creation in general, while providing a panorama that allows us to grasp the evolution of aesthetics in the first half of the 20th century .