Lectures by Bernard Lamarche-Vadel. The soundtrack of contemporary art.
IFM - Look| N° d'inventaire | 22024 |
| Format | 15 x 21 |
| Détails | 154 p., paperback with flaps. |
| Publication | Paris, 2005 |
| Etat | Nine |
| ISBN | |
The "soundtrack of contemporary art," according to Bernard Lamarche-Vadel, is art criticism. This book transcribes the essential lectures on modern and contemporary art given by Bernard Lamarche-Vadel at the Institut Français de la Mode between 1991 and 1999. A wide-ranging aesthetic journey that goes from Impressionism to the trans-avant-garde, passing through such significant figures of modernity as Malevich, Mondrian, Pollock and Opalka. Beyond understanding artistic trajectories, Bernard Lamarche-Vadel mainly addresses the philosophical and aesthetic issues of modernity. Because he sought to communicate, by his own admission, the taste for approaching "not only the works themselves, but also the discourses that have been held about these works and which shed light on them", this work offers an unexpected and powerful access to the thought of one of the most important art critics of his generation. This work is accompanied by a CD in MP3 format of the audio recording of the conferences.
The "soundtrack of contemporary art," according to Bernard Lamarche-Vadel, is art criticism. This book transcribes the essential lectures on modern and contemporary art given by Bernard Lamarche-Vadel at the Institut Français de la Mode between 1991 and 1999. A wide-ranging aesthetic journey that goes from Impressionism to the trans-avant-garde, passing through such significant figures of modernity as Malevich, Mondrian, Pollock and Opalka. Beyond understanding artistic trajectories, Bernard Lamarche-Vadel mainly addresses the philosophical and aesthetic issues of modernity. Because he sought to communicate, by his own admission, the taste for approaching "not only the works themselves, but also the discourses that have been held about these works and which shed light on them", this work offers an unexpected and powerful access to the thought of one of the most important art critics of his generation. This work is accompanied by a CD in MP3 format of the audio recording of the conferences.