Ceramics. Shape directory. 400 templates.
Eyrolles| N° d'inventaire | 21018 |
| Format | 20 x 26 |
| Détails | 224 p., bound (+ 1 sheet of templates). |
| Publication | Paris, 2017 |
| Etat | Nine |
| ISBN | |
Every ceramist, regardless of their level, will find in this manual a tool to appropriate the method of working with templates in order to develop their creative abilities. One of the strengths of this creative aid tool is that it appeals to the intuitive side of each person by allowing them to rely on this game of Chinese shadows that speaks directly to their imagination. We have chosen, in this manual, a particular shape, common and known to all, the teapot. The reader will be able to choose and visualize their model from among a hundred different examples. At the beginning, the quantity of possibilities can be an obstacle. It is better to take one shape after another to begin. Each example can be considered as a model to be used as is, but also as a starting point to be developed, transformed, or even transgressed with the help of templates. If the template sets the style, it is then necessary to draw and consider the proportions by changing the scale of certain parts in relation to others, and this, through drawing. We can then start to fix the dimensions to give the measurements of the different parts.
Every ceramist, regardless of their level, will find in this manual a tool to appropriate the method of working with templates in order to develop their creative abilities. One of the strengths of this creative aid tool is that it appeals to the intuitive side of each person by allowing them to rely on this game of Chinese shadows that speaks directly to their imagination. We have chosen, in this manual, a particular shape, common and known to all, the teapot. The reader will be able to choose and visualize their model from among a hundred different examples. At the beginning, the quantity of possibilities can be an obstacle. It is better to take one shape after another to begin. Each example can be considered as a model to be used as is, but also as a starting point to be developed, transformed, or even transgressed with the help of templates. If the template sets the style, it is then necessary to draw and consider the proportions by changing the scale of certain parts in relation to others, and this, through drawing. We can then start to fix the dimensions to give the measurements of the different parts.