Berlioz, Flaubert and the Orient.
REYNAUD Cécile, Seginger Gisèle.

Berlioz, Flaubert and the Orient.

The Passage
Regular price €35,00 €0,00 Unit price per
N° d'inventaire 26191
Format 19.5 x 25
Détails 256 p., numerous color illustrations, publisher's hardcover.
Publication Paris, 2022
Etat Nine
ISBN 9782847424904

"There's a man! And a true artist!" wrote Flaubert upon reading Berlioz's unpublished correspondence, adding: "If only I had known him better, I would have adored him!" Berlioz and Flaubert did not have time to establish a long friendship. They only met in 1863: the musician, enthusiastic about Salammbô , devoted a dithyrambic passage to it in his Revue musicale of December 1862. While the writer wanted to adapt his novel for opera, the composer was busy preparing Les Troyens . But he called on the novelist because he needed "some advice for the Phoenician and Carthaginian costumes." Posthumous friends in a way, Flaubert and Berlioz gave the Orient a similar place in their works and aspirations. Contemporaries of Romantic Orientalism, the fashion for fairy tales and the great orientalist productions, they in turn contributed to a renewal of its forms and themes. Under the direction of Cécile Reynaud and Gisèle Séginger, Berlioz, Flaubert and the Orient , a richly illustrated work, brings together a collection of contributions from the best specialists on the subject.

"There's a man! And a true artist!" wrote Flaubert upon reading Berlioz's unpublished correspondence, adding: "If only I had known him better, I would have adored him!" Berlioz and Flaubert did not have time to establish a long friendship. They only met in 1863: the musician, enthusiastic about Salammbô , devoted a dithyrambic passage to it in his Revue musicale of December 1862. While the writer wanted to adapt his novel for opera, the composer was busy preparing Les Troyens . But he called on the novelist because he needed "some advice for the Phoenician and Carthaginian costumes." Posthumous friends in a way, Flaubert and Berlioz gave the Orient a similar place in their works and aspirations. Contemporaries of Romantic Orientalism, the fashion for fairy tales and the great orientalist productions, they in turn contributed to a renewal of its forms and themes. Under the direction of Cécile Reynaud and Gisèle Séginger, Berlioz, Flaubert and the Orient , a richly illustrated work, brings together a collection of contributions from the best specialists on the subject.