Banksy.
ANTONELLI Stefano, MARZIANI Gianluca.

Banksy.

Editions Place des Victoires
Regular price €39,95 €0,00 Unit price per
N° d'inventaire 27006
Format 26.5 x 29
Détails 240 p., color illustrations, publisher's hardcover.
Publication Paris, 2022
Etat Nine
ISBN 9782809919387

The objective of the street art is to transform a corner of the city into a place of confrontation and reflection on social and existential questions.

Banksy, master of street art

In this sense, we can say that the best known, most effective, most controversial and most debated protagonist of the genre is Banksy (Bristol, 1974).

Banksy's true identity, beyond many deductions, is unknown. What remains is his ability to make people talk about him through his works.

Committed works

With stenciled graffiti scattered across the world—from the wall separating the West Bank and Israel to Venice and New York—Banksy spreads his images, which speak clearly and easily to all about urban violence, social injustice, wars, trampled freedoms, and consumerism. Always with a touch of irony and a particular ability to adapt the message to the medium, making it an integral part of the work itself.

The objective of the street art is to transform a corner of the city into a place of confrontation and reflection on social and existential questions.

Banksy, master of street art

In this sense, we can say that the best known, most effective, most controversial and most debated protagonist of the genre is Banksy (Bristol, 1974).

Banksy's true identity, beyond many deductions, is unknown. What remains is his ability to make people talk about him through his works.

Committed works

With stenciled graffiti scattered across the world—from the wall separating the West Bank and Israel to Venice and New York—Banksy spreads his images, which speak clearly and easily to all about urban violence, social injustice, wars, trampled freedoms, and consumerism. Always with a touch of irony and a particular ability to adapt the message to the medium, making it an integral part of the work itself.