Arts of Central Nigeria Revisited: Mumuye and Surrounding Peoples.
STRYBOL Jan.

Arts of Central Nigeria Revisited: Mumuye and Surrounding Peoples.

Stichting-Kunstboek
Regular price €79,00 €0,00 Unit price per
N° d'inventaire 28336
Format 18 x 21
Détails 192 p., illustrated, publisher's hardcover.
Publication Belgium, 2023
Etat Nine
ISBN 9789058566935
In previous studies, Jan Strybol indicated that, contrary to popular belief, sculpture flourished in northern Nigeria. Wooden sculptures were found everywhere except in the Far North. In this study, the author examines the sculptural traditions of several peoples in central Nigeria, specifically from the Jos Plateau and the Middle Benue Valley to the upper Taraba River. These peoples can be characterized as non-centralized communities where part-time specialists produced mainly art objects from perishable materials, in contrast to the centralized kingdoms of the south (Ife, Benin), where full-time specialists created sophisticated works of art from durable materials (stone, bronze, iron). For lovers of African art, the best-known ethnic group in the Middle Benue region is the Mumuye. Since the end of the 20th century, the spread of universal religions has led to the accelerated disappearance of traditional rituals and the Mumuye sculpture so admired in Europe and America. In his 2018 study, the author attempted to provide an overview of this wood carving. In a series of contributions, he now examines various aspects of Mumuye art. In addition to wood carving, he pays attention to objects made of bronze, iron, terracotta, and other materials. Until now, these art forms have remained in the shadows and have almost completely disappeared. Finally, the author examines in more detail some artistic achievements of some little-known residual groups in the Mumuye territory who can boast a rich artistic tradition.
In previous studies, Jan Strybol indicated that, contrary to popular belief, sculpture flourished in northern Nigeria. Wooden sculptures were found everywhere except in the Far North. In this study, the author examines the sculptural traditions of several peoples in central Nigeria, specifically from the Jos Plateau and the Middle Benue Valley to the upper Taraba River. These peoples can be characterized as non-centralized communities where part-time specialists produced mainly art objects from perishable materials, in contrast to the centralized kingdoms of the south (Ife, Benin), where full-time specialists created sophisticated works of art from durable materials (stone, bronze, iron). For lovers of African art, the best-known ethnic group in the Middle Benue region is the Mumuye. Since the end of the 20th century, the spread of universal religions has led to the accelerated disappearance of traditional rituals and the Mumuye sculpture so admired in Europe and America. In his 2018 study, the author attempted to provide an overview of this wood carving. In a series of contributions, he now examines various aspects of Mumuye art. In addition to wood carving, he pays attention to objects made of bronze, iron, terracotta, and other materials. Until now, these art forms have remained in the shadows and have almost completely disappeared. Finally, the author examines in more detail some artistic achievements of some little-known residual groups in the Mumuye territory who can boast a rich artistic tradition.