André-Pierre Arnal. A collection.
Catalog of the group exhibition at the Musée Fabre from February 1 to June 6, 2021.

André-Pierre Arnal. A collection.

Snoeck
Regular price €12,00 €0,00 Unit price per
N° d'inventaire 23381
Format 16 x 22
Détails 59 p., publisher's hardcover.
Publication Gent, 2021
Etat Nine
ISBN 9789461616562

From February 13 to June 6, 2021, the Musée Fabre is showcasing three contemporary artists whose works, paintings, and drawings, have recently joined the museum's collections. They can be discovered in three distinct spaces on the permanent exhibition.
Coming from three different generations, Pierrette Bloch, André-Pierre Arnal and Stéphane Bordarier have all been interested in the materiality of painting, developing new pictorial techniques that are at the heart of their practice. While Pierrette Bloch makes the paint taste, point by point, on the paper or on the canvas laid horizontally, conscientiously knots the horsehair, inscribes large white traces in pastel, André-Pierre Arnal folds, crumples, ties the canvas, glues and unsticks the paper. Stéphane Bordarier, for his part, develops a pictorial technique that is close to that of the fresco, in which the color is caught in the still wet glue, inducing the urgency of the gesture.

From February 13 to June 6, 2021, the Musée Fabre is showcasing three contemporary artists whose works, paintings, and drawings, have recently joined the museum's collections. They can be discovered in three distinct spaces on the permanent exhibition.
Coming from three different generations, Pierrette Bloch, André-Pierre Arnal and Stéphane Bordarier have all been interested in the materiality of painting, developing new pictorial techniques that are at the heart of their practice. While Pierrette Bloch makes the paint taste, point by point, on the paper or on the canvas laid horizontally, conscientiously knots the horsehair, inscribes large white traces in pastel, André-Pierre Arnal folds, crumples, ties the canvas, glues and unsticks the paper. Stéphane Bordarier, for his part, develops a pictorial technique that is close to that of the fresco, in which the color is caught in the still wet glue, inducing the urgency of the gesture.